GODSPELL Review: A Vibrant Cape Town Revival by Pinelands Players
Pinelands Players Present Godspell – A Modern Cape Town Interpretation
Artscape Arena, April 2011
Directed by Roché Haupt Buckle | Musical Direction by Justin Wardle
Choreography by Kerry-Lee Knott-Craig | Set Design by Waldo Buckle
A Fresh Take on a Timeless Classic
Originally a 1971 countercultural phenomenon, Godspell retells the Gospel of Matthew through lively parables, folk-rock music, and vaudeville-inspired performances. Pinelands Players reimagined the production with a distinctly Cape Town flair, trading hippie aesthetics for contemporary South African charm.
Standout Performances
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Darik Vélez captivated as a compassionate, naturalistic Jesus, anchoring the show with sincerity.
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Greg Tinney delivered a compelling Judas, though his post-betrayal return sparked minor narrative confusion.
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Maryanne van Eyssen (Robin) and Allana Aldridge (Joanne) shone in solos like Day by Day and Oh Bless the Lord.
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Byron Bure stole scenes as the Prodigal Son, blending humor and pathos.
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Tanya March sizzled in Turn Back, O Man, while Gary Kiewitz moved audiences with All Good Gifts.
Creative Vision
Director Roché Haupt Buckle avoided 1970s clichés, instead crafting a localized narrative set in a Kalk Bay eatery. The minimalist staging—featuring a fishing boat and bar counter—kept focus on the storytelling.
Kerry-Lee Knott-Craig’s choreography blended Charleston, rock ’n’ roll, and gospel influences, while Justin Wardle’s band (performing from the set) infused Schwartz’s score with vitality.
Dual Perspectives: Critics’ Takes
Sheila Chisholm’s Review
Initially wary of potential blasphemy, Chisholm praised the cast’s restraint and “today” framing, noting their clear diction (despite unnecessary head mics). She highlighted the Tower of Babble scene and Vélez’s poignant Alas for You.
Lieske Bester’s Review
Bester lauded the “youthful energy” and vocal harmonies but critiqued inconsistent American accents. She called the production a “visual and vocal pleasure”, especially praising Vélez’s “totally integrated” Jesus and the stirring ensemble numbers.
Legacy & Relevance
Bester reflected on Godspell’s historic 1971 South African debut—the first integrated musical—contrasting it with this monochrome-but-diverse revival. Both reviewers agreed the Easter timing amplified its emotional impact.
Final Verdict
A joyous, thought-provoking revival that honored the original while feeling freshly South African. Despite minor sound and accent quirks, the cast’s chemistry and vocal prowess made it a triumph.
Details:
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Dates: 15–24 April 2011
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Venue: Artscape Arena
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Tickets: R110–R130 via Computicket (021 421 7695)